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This movie beats out 12 O’Clock High in my book–It focuses on a conflict of priorities between commanders. Gable is the clear hero, but it is definite that his boss, looking at the “Ample Recount” may have a point as well. If nothing else, captivating for illustrating the maneuvering over public image that sometimes drove military strategy, even in the years before CNN.
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In a larger sense “Bid Decision” is not really a war movie but a film about the responsibility of train and leadership. It is one of the few films that effectively explores these topics; and belongs proper up there with the new “Flight of the Phoenix” and “The Red Tent”. Not having the visual power of those two films (the petite combat/action scenes are almost entirely stock footage), it must focus more narrowly on the human complications arising from the responsibility of verbalize. The contradiction being that while a leader must halt to be human, no one who can do this is fit to be a leader.
Adapted from a stage play, “Vow Decision” suffers from a lovely amount of “long-windedness”. Fortunately the most long-winded character (Major General Kane-played by Walter Pigeon), is well written and has many spacious things to tell. Powerful like his character in “Forbidden Planet”, Pigeon is tasked with inserting historical and philosophical details into the myth, and his commanding cover presence makes him ideal for this purpose.
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Brigadier General K.C. Dennis (Clark Gable) has the most mask time and most bright role, as his character is the guy stuck between a rock and a hard space. He is accountable for making the hard decisions that send his men off to die, but has a fragile authority dependent on how worthy independence his superiors are allowing him at a particular point in time. Gable does heavenly in this fragment, probably his best totally “serious” performance. Although the film takes inconvenience to employ the German high mumble to illustrate examples of terrible leadership, it is easy to infer that the same mindset applies to the Allies. With many military leaders distorting events to conceal their possess ass and willing to sacrifice men for their maintain career advancement and personal ideology.
The premise of the film is the Air Corps discovery that the Germans have developed the first jet combat plane. Based on the dependable life Messerschmitt Me-262 (shown as a model in the film and in some archival footage), it is called the “Lantze-Wolf” here and considered so effective as a fighter aircraft that burly production would allow the Luftwaffe to catch air supremacy over Europe.
The planes are being assembled in three cities deep in Germany. The only hope to delay their corpulent production is “Operation Stitch” (named for its goal of gaining a stitch in time), a opinion to attack these sites through hazardous daylight bombing raids. Uncertain because they will be heavily defended and because the bombers will have to go the final hundred miles without fighter escort-since the America fighters do not have the range to near and return from the target. This type of daylight bombing was called precision bombing because the bomb-site was more effective with better visibility and a lower altitude. The alternative was safer but less legal saturation bombing at night (insert Dresden here) .
General Dennis must settle whether to initiate the operation, and then when the bombers hold big punishment he must choose whether to continue in the expectation of additional high losses.
The film takes clear historical liberties as only after a postwar evaluation of the dependable ME-262 did anyone really understand its strategic potential (in the hands of well trained pilots) as a fighter aircraft. Until the kill Hitler insisted that it be utilized almost exclusively as a bomber. Although able to carry out this alternative role, its bomb load capacity was too limited for any well-known impact. That the ME-262 is more a footnote to the war than a major element was due more to Hitler’s decision than to any allied efforts to limit its production.
Then again, what do I know? I’m only a child.
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